Weddings and receptions across Miami-Dade, Broward and Palm Beach — DJ only, or the whole room built end to end.
Most weddings down here have two crowds in one room. Family who came up from Brazil or have been here twenty years, and friends from work and college who have never heard a pagode in their lives. Plenty of weddings get this wrong in one of two directions — it becomes a Brazilian party and half the room sits down, or it becomes an American party and the family spends the night on their phones.
The job is making sure neither group sits down. You don't solve that with a playlist built three weeks before the wedding. You solve it by reading the floor: knowing the moment to turn sertanejo into house, when to drop a pagode because the family has just gathered, how long to hold the funk before it lands instead of clearing the room.
Ceremony sound with wireless mics for the vows and the officiant. Music through cocktail hour. The reception itself. Uplighting on the walls, lighting over the dance floor, LED walls if you want photos or your names on screen, and staging when there's a live band playing alongside the DJ.
All of it comes from the same team on one contract. There's no sound vendor blaming the lighting vendor when the timeline slips — one crew, one person responsible.
English, Português and Español, from the first email to the last song. That matters more than people expect when the couple speaks one language, the parents speak another, and the venue coordinator speaks a third.
Planning in Portuguese? Veja esta página em português →
Yes, and it's most of what we do. The mixed floor is the actual job: keeping both halves dancing all night without either side feeling like it isn't their party. That isn't a playlist problem, it's a reading-the-room problem.
Both. Ceremony sound with wireless mics for the vows and the officiant, music through cocktail hour, then the reception — same team, one contract, one crew on site.
It depends on guest count, hours, and whether sound and lighting production is included. Send us the date and the details and we come back with a fixed quote — no surprise fees later.
Peak-season Saturdays go six to twelve months out. Outside that there's often room with less notice, so it's worth asking even close to the date.
Yes. Uplighting, dance-floor lighting, LED walls and staging all come from Evan Halls Productions, so you're not coordinating three vendors who've never worked together.
English, Português and Español — from the first email through to the night itself.